About

Since childhood, I have been trying to capture things that cannot be easily expressed in words.

I am drawn to traces of uncertain origin, to places that exist on the threshold between beauty and ugliness, and to situations in which we are no longer sure what we are actually looking at. I am fascinated by landscapes shaped by human activity, as well as by dreams with shifting logic, distorted perspectives and impossible architectures.

A formative influence on my way of thinking was the study of theatre anthropology. It continues to shape how I reflect on human nature, identity and the roles we assume in everyday life. I am interested in the relationship between what we consciously reveal to the world and what we choose to keep hidden.

For me, jewellery is not a fashion accessory but an intimate object that enters into a relationship with its wearer. I see it as a small sculpture that becomes part of human behaviour, personal narratives and the ways in which we construct our outward image.

My practice is grounded in attentive handcraft and observation. I am not interested in perfection. I am interested in the moment when form, material and idea become one.